50/50

SATURATION BERLIN


LAUREN RANDOLPH | Los Angeles based commercial photographer x Konrad Langer | Photographer, location scout and Instagram expert from Berlin

 

LAUREN RANDOLPH You have such an eye for architecture. With a focus on lines, composition, and color, your work appears to be from a design background. Can you tell me a little about your personal history in photography? How did you get started? Did you study design or art in school?

KONRAD LANGER I’ve never studied design or photography. I graduated with a degree in Sociology. Photography came into my life while traveling through Australia in 2011 - I had my first pocket camera and started to look for light and composition in the photos I took. The big push was two years later with my first smartphone. When I downloaded the Instagram app I felt very inspired by people who took pictures of cool things they found in their cities. As I’ve always been out exploring a lot I simply just took my phone and documented the spaces around me. This went on for years and even nowadays I enjoy finding new locations in Berlin, although it gets harder.

KONRAD LANGER First of all, I like the way you incorporate saturated and bright colors in your photography - it gives your subjects a lively and positive touch. Have you always had this sense for colors or did it develop during your photography activities?

LAUREN RANDOLPH As soon as I picked up a digital camera I started to incorporate very saturated colors. I started photography in the darkroom shooting and developing my black and white photography. It was after a couple of years that I started shooting digital photography and using Photoshop to edit my photos. This helped me make my photos the way I see the world: vibrant and full of color. 

LAUREN RANDOLPH Do you find inspiration and then return to photograph it later, or does it all happen organically on the spot?

KONRAD LANGER I don’t work very conceptually in urban photography, so mostly when I see or find something I’ll just shoot straight away with whatever camera I have with me. Sometimes I come back for better light situations, when I need a certain lens to capture the space, or to bring people to update the location with something new and make it more of a more unique picture.

KONRAD LANGER When and how did you come up with the idea of capturing all of Berlin’s subway stations for your #chromalogicalorder?

LAUREN RANDOLPH When I first came to Berlin, I was living there for the Summer and was using the subway to get around. I couldn’t always remember the name of the station I lived off of, but I could always remember the orange color. I also remembered the brown-colored one was where my good friend lived, and the blueish green one was where I would get off to make transfers to other lines. Using colors helped me navigate the foreign city, so I began to pay attention to how different each station was from the others.

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LAUREN RANDOLPH I know you began as an iPhone photographer on Instagram, have you upgraded cameras? If so, do you still shoot with an iPhone? Has changing cameras changed the way you work?

KONRAD LANGER Yes, for years I was only shooting pictures with my phone and even until now, about 50% of my new pictures on Instagram have been taken with my smartphone too. Of course, in the meantime, I bought cameras and learned how to use them mainly for professional reasons, but for my private explorations I still enjoy just going out light with a phone that’s in my pocket anyways. Nowadays all major brands have several lenses integrated into their devices, pro mode settings, and you can even shoot RAW files if you want - so you can really capture a variety of subjects.

photo by: Konrad Langer

“As soon as I picked up a digital camera I started to incorporate very saturated colors.”

- Lauren RANDOLPH

LAUREN RANDOLPH Do you think your style of photography would be different if you didn’t live in Berlin? You have an eye for what’s found on the street, riding the UBahn, etc. What if you lived in a city like Los Angeles and were commuting more by car, for instance?

KONRAD LANGER In my opinion, the best way to find good and surprising photo locations is by walking, biking, or skating through a city. Overground public transport is ok as well because sometimes you will get some elevated views that expose buildings you won’t see from street level. In Berlin, it is super easy to combine these types of transport and go from spot to spot, neighborhood to neighborhood with open eyes and the ability to stop and shoot wherever you want. That’s not always possible by car. I only take the car for photography when I already know a location that’s a bit further outside. I have never been to Los Angeles and I’ve only heard or seen things on the internet, but it looks like a big area where you basically need to take your own car. That’s something that would stress me out a bit as I love walking and getting lost. I experienced something like this in Dubai last year - the city is just so poorly executed for pedestrians.

KONRAD LANGER Do you think that Berlin as a city has a certain color vibe? If so, can you find the same vibe somewhere in your hometown, Los Angeles, or other cities that you’ve visited?

LAUREN RANDOLPH As much as I love Berlin, I’ve spent the majority of my time there in the winter months when it feels very cold and gray. Because of this, I tend to think of Berlin in these more muted tones, but that’s what makes the color stand out even more. While the city may be muted, it is covered in colorful graffiti, the train stations are stylized and colorful, and when it’s not winter then the parks are green and always full of people. It’s the energy of the city that is full of color, even if the architecture may not be. 

LAUREN RANDOLPH With Berlin being such a moody city, often appearing pretty gray under the clouds, how do you feel sunlight or natural light affects the way you photograph a scene?

KONRAD LANGER I wouldn’t say that Berlin is always moody. There are some days where you only have grey weather, especially in the wintertime, but in spring and summer, you have a good mix of different light situations. I like sunny days with very few clouds but also sunny days with a bit of haze in the morning. Both are great for creating colorful and vivid images.

LAUREN RANDOLPH I know you as a fairly quiet person in social settings, but your photography is so bold. We met because of Instagram and the lively community in Berlin years ago. Is photography more of a solo activity for you, or do you use it as a way to be social/meet/hang out with people? 

KONRAD LANGER Yes, I still remember meeting up in that abandoned swimming pool in Berlin-Lichtenberg for the first time. Back then I used to go to Instagram meetups a lot. They’ve been a great opportunity to meet new and like-minded people from different backgrounds. Instameets for me have always been like a networking kind of thing rather than actual opportunities for producing great content (with a few exceptions). I still like to go out and shoot together with other photographers and people in general, but I like these groups to be smaller. Going solo on photography is fine too - I can take my time whenever I need to. Even before the pandemic, there were fewer just-for-fun Instagram meetups organized. I guess the whole IG-family is scattered into many niche communities nowadays as there are many more users doing different things on the platform anyway.

KONRAD LANGER What do you generally think about the development of Instagram as a platform for artists over the last few years?

LAUREN RANDOLPH I love what Instagram has created as far as a community based around photography. I have made so many friends from around the world, and traveled and seen so many new places that I never imagined visiting. However, like all things, the app has evolved, and how I use it has evolved, too. I never considered Instagram to be something I would use for the rest of my life. The fact that I’ve been consistently sharing photos on Instagram for over a decade is kind of mind-blowing to me. I don’t think it is the best way for photographers to present their work - with single images shared on a small screen. I’m much more of a storyteller, I love to capture and share an entire trip or photos from a whole event. Websites where I can share my work in a full gallery or album seem to be a better fit for the work I like to make. That being said, I don’t see Instagram going anywhere, and I don’t intend to leave the app any time soon. However, I’m not sharing as often as I used to.

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KONRAD LANGER I have the feeling that what you post on Instagram is honestly what you like to photograph and not what people expect to see on your account. Have you ever felt some pressure to deliver “Instagrammable” content for the sake of likeability and growth?

LAUREN RANDOLPH I have been on Instagram since the app started in 2010. My relationship with what I share has changed a lot since then. I think I used to care a lot more about posting photos that would perform well on the app. Since I’ve always been drawn to portrait photography which generally doesn’t perform as well as landscape or architecture photography, for instance, I had to tell myself years ago that I wasn’t making photos for my Instagram audience, I was making them for me. Allowing myself to only create and share work that I love has helped me maintain my “voice” as a photographer. If I only shared what performed well on the app then my feed could look just like any other successful Instagrammer’s account, and that’s never been my intention. 

photo by: Lauren Randolph

I don’t work very conceptually in urban photography, so mostly when I see or find something I’ll just shoot straight away with whatever camera I have with me.

- KONRAD Langer